Actor and director Rishab Shetty recently spoke at the IFFA54 press conference, expressing his commitment to Kannada films despite tempting offers from various industries. He credited the success of “Kantara” to the Kannada audience, emphasizing his dedication to the local cinema scene. However, his remarks seemed to hint at other Kannada stars who ventured into different film industries after achieving success with just one hit movie, sparking discussions on social media.
Speculations arose that Shetty might indirectly reference Rashmika Mandanna and Prashanth Neel, who transitioned to other industries following their success. In an era where Indian cinema is unifying, breaking down regional barriers, Shetty’s stance appears somewhat isolated. The distinction between languages like Telugu, Kannada, or South cinema is fading, paving the way for a more inclusive identity of Indian cinema.
However, it’s crucial to acknowledge the evolving nature of the film industry. Criticizing actors and technicians for exploring opportunities beyond regional boundaries might not align with the current trends. The landscape of Indian cinema is shifting towards a more expansive and interconnected space, where artists seek diverse experiences and audiences celebrate a pan-Indian cinematic culture.
Rishab Shetty’s strong commitment to Kannada movies deserves appreciation, but it’s crucial to see the film world’s changing ways from a wider viewpoint. By supporting creative journeys and accepting the unity of Indian cinema, we can create a richer film environment that benefits both artists and viewers.
In summary, recognizing Rishab Shetty’s loyalty to Kannada films, it’s important to embrace a more open-minded approach towards the transforming Indian film scene. This approach should celebrate differences and the quest for new experiences in art without judging those who opt for different opportunities.
