Gopichand, the beloved Tollywood actor, has graced the silver screen once again, donning the role of a robust cop in a fantasy action film directed and written by A Harsha. Released on Maha Shivarathri, this much-anticipated movie showcases Priya Bhavani Shankar and Malvika Sharma as its leading actresses. Originally slated for a February release, Bhimaa finally made its debut, and now, let’s delve into what this film brings to the table.
Plot:
Set in a charming town, the film unfolds a series of mysterious events at a historic temple, compelling the intervention of the determined police officer, Bhimaa (played by Gopichand), to unravel the mysteries that enshroud the narrative.
Performances and Technical Aspects:
Gopichand shines in Bhimaa, portraying the titular character with sincerity. His impactful performance, especially in gripping action sequences, becomes the heartbeat of the film. Priya Bhavani Shankar and Malvika Sharma deliver commendable performances in their respective roles.
Director Harsha, renowned for his choreography expertise, injects a unique vision into Bhimaa, infusing the film with dynamic energy and good visuals. While meticulous attention to VFX and set designs enhances storytelling, the music falls into the average category. However, the background music stands out. Though editing could be refined, the production values remain adequate.
Analysis:
It’s only the interval sequence in the film, that brings a lot of excitement. This moment continues to make the second half of the movie interesting. Even though the first half has some boring parts, the interval makes things better by adding a touch of excellence.
In both halves, there are moments that might make you feel a bit impatient. The second half, especially, tests your patience. However, there’s a twist towards the end, at the climax, which grabs your attention. The director seems to have focused mainly on these two parts – the interval and the climax. Unfortunately, the rest of the movie doesn’t have much to offer.
So, the positive things about the movie are an excellent interval, a gripping climax, and the actors’ good performances. These moments manage to shine despite some not-so-perfect parts in the rest of the film.
Verdict:
While Gopichand shines and the climax, along with the interval, captures attention, the film falls short elsewhere. Dull moments in the first half and a patience-testing second half reveal a lack of substance beyond these highlights. The director’s focus on these key segments leaves the overall movie with limited appeal.
Rating: 2/5
